No Depression/Transit Tour - January 18, 2012
Greetings from Fairfield, Iowa. Windchill: -5. Took the California Zephyr from Chicago to Mt. Pleasant, Iowa, and I must say, it was some of the most pleasant 5 hours of my recent life. Thank you, Amtrak, for holding on against all odds. This week it's Fairfield, Chicago, Milwaukee and Minneapolis, then on to Brooklyn for a week of writing and a stop at Pete's Candy Store in Williamsburg. It feels good to be back on the road, even in this cold. I've got lots of down in my suitcase.
Nice review this morning in No Depression:
Anna Coogan
The Wasted Ocean
(independent)
In the liner notes to her latest album Seattle singer/songwriter Anna Coogan said that after spending a summer in Alaska, she spent three weeks last February relearning the traditional songs she listened to in her youth. Inspired by that exercise, she then took a month and wrote some original material based on the sea shanties and traditional tunes she rediscovered these many years later. The result is a breathtakingly beautiful collection that sounds like the songs she intended to emulate, all brittle ballads and tales of lament driven by the inspiration of old wayfarer narratives. Yet even those who know nothing about whaling ships and pitting mind, body and spirit against the ocean’s fury will be able to embrace the sentiment that shines through here. “Blood on the Sails,” “Come the Wind, Come the Rain” and “Come Ashore, Love” ring with a harrowing heartbreak that’s cinematic in style and yet intimate in the finer details. Fans of folk music – particularly as recorded by the likes of Gordon Lightfoot, Stan Rogers and the Clancy Brothers -- will find welcome harbor here.
Thanks to Lee Zimmerman!
Nice review this morning in No Depression:
Anna Coogan
The Wasted Ocean
(independent)
In the liner notes to her latest album Seattle singer/songwriter Anna Coogan said that after spending a summer in Alaska, she spent three weeks last February relearning the traditional songs she listened to in her youth. Inspired by that exercise, she then took a month and wrote some original material based on the sea shanties and traditional tunes she rediscovered these many years later. The result is a breathtakingly beautiful collection that sounds like the songs she intended to emulate, all brittle ballads and tales of lament driven by the inspiration of old wayfarer narratives. Yet even those who know nothing about whaling ships and pitting mind, body and spirit against the ocean’s fury will be able to embrace the sentiment that shines through here. “Blood on the Sails,” “Come the Wind, Come the Rain” and “Come Ashore, Love” ring with a harrowing heartbreak that’s cinematic in style and yet intimate in the finer details. Fans of folk music – particularly as recorded by the likes of Gordon Lightfoot, Stan Rogers and the Clancy Brothers -- will find welcome harbor here.
Thanks to Lee Zimmerman!